Archives for fiction writing

What’s your crutch word?

I don’t know if it’s just me or other authors also have a certain word that they inadvertently repeat while writing. After I wrote my very first draft, I realized that my crutch word was ‘felt‘. My editor had pointed it out to me. I understand that writing is best done spontaneously and not if you are constantly aware of what you might be doing wrong. It disturbs the flow if you write consciously. However, while self-editing, one should be aware of their crutch words (if any). While revising your script you can then easily do a search on those
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8 Tips for Polishing Your Fiction

I always enjoy working on draft 2. Sure, draft 1 can be full of surprises, discovery and moments of brilliance (or least if feels like brilliance at the time) but it can also be quite a taxing task. Draft 2 is more like the second time you make a new recipe: you’ve worked out what works and what doesn’t and can’t wait to try it again, this time with fewer mistakes. That’s not to say that drafts 3 to 3,000 won’t have their moments of difficulty, but they exist to continuously refine what drafts 1 and 2 have established. Now,
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Time for a Selfie! (A newbie’s guide to the Self-Edit)

I often use the analogy of movies when talking about writing novels because they do have a number of things in common. This is yet another, although here there is a marked difference. This is yet another one, although here there is a marked difference. Without a doubt this is possibly the most soul-destroying event any new writer will experience. When making a movie, the Director will film many takes that will not end up in the final version of the film. These could be because the actors made a mistake, burst out laughing in the middle of filming, or
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I think I should warn you about something…

In my last article about Show and Tell (here), I briefly mentioned Foreshadowing. I have been inundated by five emails demanding I explain a little more about this useful writing tool. So here goes… Many eons ago, shortly after the dinosaurs died out, I decided to become a writer. Little did I know what the future held in store for me… That’s foreshadowing for you. What have I just done? I have created tension, expectancy in my readers – yes, I’ve manipulated their emotional response again and pressed the ‘Reader Engagement’ button. Now that’s just one way you can use
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Let’s go to the Movies!

If you are new to this fiction writing business, chances are you will have heard a short phrase repeated frequently and cited as part of the MUST DO rules for authors. Yes, I’m talking about SHOW, DON’T TELL! If you are lucky, you have come across this gem of advice on a writer’s blog where they will have provided a few examples. Sometimes these examples are useful insights into how to put this into practice. On other occasions, however, the extracts only serve to confuse the matter even further because they are usually presented without any detailed explanation.   If
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Character Building

Novels are often described as being either plot-driven or character-driven. This is something that may confuse the aspiring or new writer. Surely all plot-driven novels have characters, and character-driven novels have plots. Often I feel that this description is applied when the reviewer comes across a character that stands out (so the work is character-driven) or not (plot-driven). I think this is a somewhat short-sighted approach – I’ve yet to meet an author who doesn’t try to make their characters believable. So let’s take a look at why some succeed and others don’t. First off, despite all the effort that
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